SVEN POSER
WRITER
Sven Poser studied German, history, and politics in Berlin and worked as a journalist and co-editor of a small publishing house called “Das Labor” until the 2000s.
Since 2000, he has been writing screenplays for cinema and television. With Martin Eigler, Sönke Lars Neuwöhner, and Jonas Winner, he founded the label “plotpower,” which focuses on the development of screenplays.
Poser has written numerous films and series for television, including “Solo für Schwarz” with Barbara Rudnik, which he conceived and wrote with Martin Eigler. As a writer and head writer, he was instrumental in the development of the crime series “Letzte Spur Berlin,” which received a Grimme Award nomination for Best Series in 2013.
Poser also created the series “Wolfsland” with Sönke Lars Neuwöhner, and since its creation in 2015 through to today, Poser and Neuwöhner have written the script for every episode.
With the plotpower team, Poser developed ZDF's first miniseries “Morgen hör ich auf,” starring Bastian Pastewka and Susanne Wolff, which received the Golden Camera for Best Series and the Bavarian Television Award for Best Screenplay in 2017.
Sven Poser is a member of the German Film Academy.
Sven Poser is represented by Katrin Näher.
MORGEN HÖR ICH AUF
COMING UP
DIE CHEFIN - ABRECHNUNG
The new episode of the ZDF series "Die Chefin" is in production, produced by Network Movie, directed by Alexander Costea. The script was written together by Sven Poser and Elke Hauck.
WOLFSLAND
The 15th and 16th episodes “In der Schlinge” and “Schwarzer Spiegel” are in production. The entire series is based on scripts by Sven Poser and Sönke Lars Neuwöhner and is produced by Molina Film for MDR/ARD Degeto.
DER ALTE - DER KNÜLLER
Sven Poser wrote an episode for the ZDF series "Der Alte" together with Elke Hauck, the episode is in post-production. It was directed by Michael Kreindl and produced by Neue Münchner Fernsehproduktion. A broadcast date is not yet known.
VARIA
WIE MAN TRÄUME VERKAUFT
Ein Muss für Drehbuchautor*innen: William Goldmans wilde Mischung aus Autobiografie, Hommage ans Kino, Filmbusiness-Kritik und dramaturgischen Exkursen. Selbstbewusst, detailverliebt, hochironisch. Sprichwörtlich wurde Goldmans Urteil über die Kompetenzen von Hollywood-Produzenten: „Nobody knows anything.“ Auch zum Immer-wieder-Lesen bestens geeignet.
Sven Poser